The Photo Video Guy Podcast - Episode 22

This episode I look at news and rumours from Nikon starting with leaked pictures of the apparently real D600.  Nikon looks ready to release a second firmware upgrade for the D800 and announces two new lenses.  Canon has updated Digital Photo Professional to support the new Rebel T4i and STM lenses and shows a patent for a 14-24.  Canon Japan announces a release date for the 1Dx.  Sigma updates their walking around zoom and Schneider Kreuznach announces intent to build micro 4/3 lenses.  Leica announces fall availability of new lenses for the S series and Apple announces a MacBook Pro with retina display.  We close with a synopsis of my written review of Westcott's ICE Light.

REVIEW : Westcott Icelight

Much was made at the announcement of Westcott's Icelight about size, portability and softness.  All true.  Sort of. The Ice Light comes from Westcott and is designed by respected photographer Jerry Ghionis.  Specifications are located here.

The device comes in a simple kit as shown;

The case is lightweight and easy to handle, the charger attaches quickly and the gel clips, well they allow you to put a gel in front of the light source.  Yes it actually does look like a short lightsaber, but without the interesting audio additions.  The switches are on/off and variable brightness, all clear and simple to work with.

At first glance the thing should be brilliant.  And it is.  Sort of.

The Good

  • Lightweight
  • Mounts to a light stand tilter bracket with a standard fitting
  • Hangs at the end of a boom without needing a giant counterweight
  • Very soft light
  • Portable
  • Recharges reasonably quickly
  • Colour balance is very good

The Not So Good

  • Seriously underpowered if competing with any volume of ambient light
  • You have to get it REALLY close to your subject
  • Battery life ok, not great
  • Hard to get by with just one
  • Needs a stand, voice operated or not
  • Needs a tilter bracket
  • Durability a concern
  • Expensive - Really expensive

In fairness, my use cases may not fit the device well.  I wanted one for a number of reasons

  1. To use as a tool when I teach lighting techniques
  2. To use as a supplementary source to fill harsh shadows or soften closeups when shooting outdoors
  3. As a "one light" fast portrait source
  4. Convenient like a flash, but with a softer look
  5. Reasonable depth of field control

I'm afraid that the relatively low output, the requirement for extra kit to position it and that one just isn't enough doesn't cut it for me.  Doesn't make it a bad product, but I would need it to deliver a lot more than it does for what I feel is an outrageously high purchase price.   It is version one of the device.  I did shoot models with it (several its in actuality) at Photoshop World and the light is nice, but for the cost involved, I could get a set of Spiderlite TD6s that while larger and more cumbersome do the soft light job much more effectively and with enough power to permit useful depth of field control.  It's going back to the vendor.  I am hopeful that the price comes down out of the stratosphere so its ROI improves and I am hopeful that future versions have a lot more output.  As it stands, I cannot make a business case for it.

The Photo Video Guy Podcast - Episode 21

This episode I look version one of Photostitcher and more details of limitations photographing at the summer Olympics.  I then have some quick news from Nikon.  I share rumours about the coming v2 firmware for the Canon 7D.Most of the episode is focused around this past week's announcements from Canon of the 4Ti/650D and the new STM lenses.  I close with a review of the Think Tank Airport Accelerator backpack

The Canon T4i

Canon has announced the replacement for the venerable T3i. The T4i should be available in stores in Canada by the 20th, with the new lenses available likely in July. The new camera still has the 18mp sensor as seen in the 7D and the 60D. What is new is the Digic 5 processor that is driving the processing in the camera that provides 14 bit depth compared to the 8 bit depth in the predecessor. That's a significant enhancement. The new camera has 9 cross point autofocus and 63 zone metering, similar to the 60D. The burst mode is to be 5 fps and that's very quick for decent resolution in a consumer oriented camera.

Unlike most DSLRs, the T4i will have continuous autofocus for video, but there is a small catch. For the continuous AF to work, you'll want to be using one of the new lenses announced at the same time.

First up is an EF-S 18-135. This new lens incorporates a stepper motor which gives very fast focus movement. Second is a 40/2.8 pancake lens also with a stepper motor for AF with video, but this lens is an EF mount so it can be used on full frame bodies. The new lenses as noted likely won't be available until July so we'll have to wait to see them to give a fair performance assessment.

Look for sales on the T3i to make space for the T4i which is a replacement. Prices are still in flux but the new camera will likely retail pretty close to the older one.

The Photo Video Guy Podcast - Episode 20

This episode I look at the court decision around the ASMP and Google, check in on Leica and refer you to Steve Huff.  I'm surprised at the market value of IKEA's cardboard camera and relate a funny story about a stolen iPhone.  Then I suggest a couple of web articles, one from Pixiq on hyper-focal distance and one from Petapixel on the photography of Jack Robinson.  Next I cover news and rumours from Canon and Nikon, hit the updates from Adobe and close with a joint review of the Gary Fong Lightsphere and the Stroboframe.

Lightroom 4.1 Available

FULL DISCLOSURE:  I am an unabashed champion of Adobe Photoshop Lightroom.  I generate personal revenue from training people on Lightroom.  Readers should expect me to be enthusiastic about Lightroom. Now that the mumbo-jumbo is out of the way, I wanted to let all the members know that Adobe released Adobe Photoshop Lightroom 4.1 today.  Existing Lightroom 4 users will be prompted to install the update.  In addition to bug fixes and other enhancements it adds support for a number of new cameras including the Canon 1Dx, Fuji X-Pro 1, the 5D mark III, the Nikon D4, the Nikon D800 and D800e, the Leica M Monochrom, the Leica X2 as well as lens profiles for the new Sigma lenses for micro four-thirds.

At its new retail price of $149, imho there is no more feature rich and powerful image management and editing software on the market.  Photoshop CS6 is certainly a powerful tool, but even Adobe says it is a designer's tool first and a photographer's tool second with Lightroom being their flagship tool for photographers.  Even Apple Aperture evangelist, professional photographer and noted curmudgeon Scott Bourne is switching to Lightroom.

It's available in lots of places, online and in retail stores and comes to run on both Windows and Mac OS X.

If your photo editing software is older, or you don't have a catalog management system for your photographs and would like a great one with an integrated editor, you cannot lose with Lightroom.

Prime or zoom? Thoughts on a common question

I met a couple of club members at the Exposure show this weekend and one, who is really committed to constantly improving his skills, was saying he needed a new lens to shoot a wedding.

He shoots a Nikon DX camera and loves his Sigma 70-200/2.8 but found that after crop factor he wasnt able to do groups.  His other lens is the 18-55 kit lens.  After talking to a representative at a couple of the booths he had concluded that he needed an 18-200.  Its not my money so not my place to tell him that spending money on a lens like this will turn out to be a mistake.

He, like many photographers, is discovering that the kit lens is not cutting it for him.  But he does need a quality wide angle lens for group settings.  The challenge as we know is having effective depth of field control when going wide.  

I made the suggestion that he rent a prime or two, along with a second body rather than investing in a lens that duplicates the range he already has.  The Sigma is faster and edge sharper than the kit lens or the 18-200.

One of the challenges of a DX body is that getting wide becomes a problem.  Nikon does a really nice 20/2.8 and 24/2.8  When we calculate the effect of the DX sensor that 20mm becomes 30mm and the 24mm becomes 36mm.  So if he has a big group, neither really suits.  If he had an FX sensor, the 24mm would work well for larger groups without fall over effect.

If he has to stay with a DX sensor, his options become more limited.  Presuming that the 18-55 wont do the job, I will suggest either of the Sigma 10-20/3.5 EX zoom or Nikons own 12-24/4 IF-ED.

Theres no simple answer to these kinds of questions.  The DX/FX or crop/full frame body choices have a dramatic impact on future agility when it comes to glass.  This is why I see more and more serious photographers going with both crop sensor and full frame bodies to provide coverage on the wide and the telephoto.

The Photo Video Guy Podcast - Episode 19

In this episode, I look at news from Canon, the new 75/1.8 from Olympus, news and rumours from Nikon, provide a quick Leica update, recommend the Apple Camera Raw update, advise on DxO Optics Pro 7.5, touch on the NEX Proshop Shadow Shoe, discuss a WTO appeal on DSLR video duration and offer up a hands-on with the Fuji X Pro 1. Sponsored by Daytripper Television

VIDEO : Introduction to Night Photography

I recently prepared a class to help people get started on Night Photography.  Response was very positive so I am including it here for anyone to watch.  

 

I would also like to recommend Lance Keimig's book as a terrific resource for Night Photographers.  You can support the site by buying it through the Amazon link here.

 

The Photo Video Guy Podcast - Episode 18

This EpisodeNikon G1X competitor? Nikon drops XQD cards from the D4 packaging D800 wins the Camera Grand Prix 2012 Award Canon wins lens of the year for the 8-15/4L Rumours about the EOS 650D/T4i Canon 200/2 800/5.6 make noises on 5D Mk III Joe McNally and David Hobby suggest grids for hot shoe flash Sony announces the NEX-F3 and new E mount 18-200/3.5-6.3 Fuji announces WCL-X100 WA adapter REVIEW : Honl Flash modifiers

The Photo Video Guy Podcast - Episode 17

This episode, we touch on updated rumours on the D600, look at Nikon's financials and the DP Review in-depth on the D800.  Then we chat about a new RC of Adobe Camera Raw and touch on Adobe's subscription service.  Then we spend the bulk of the podcast on the Leica announcements on May 10th including the V-Lux 40, the X2 and the M-Monochrom.  We close with film news from Canon.

The Photo Video Guy Podcast - Episode 16

This Episode we discuss the rumoured Sony NEX-F3, look at the Nikon D800/e D4 Lockup Fix, an Ikelite Housing for the D800/D800e, some released Nikon Lens Patents, a Nikon Battery Recall, check out News from Adobe, the Trigger Trap Remote, some new Travel Backpacks from Think Tank, Canon Lens Patents and potential Canon mirrorless specs.  We have news for the 5d Mk III, the DP review on the OM-D, our first look at the Tamron 24-70/2.8VC, updates from Fuji and the release of the new Mamiya Lead Credo digital backs  

Why Google Drive may NOT be where you want to store your images

Regular readers know that I am a very strong advocate of your work remaining yours.  I've been fairly critical of web services that through their End User License Agreement require you to give all your rights away to your own property.  While I know that there are workarounds for some photo sharing sites (use only small low quality thumbnails), in general I only recommend sites that protect your intellectual property and most times there is a fee involved. Recently the folks at Google opened a new service called Google Drive.  Ostensibly it looks like it competes with Dropbox and to a lesser extent with Microsoft's SkyDrive.  I am not snubbing SkyDrive, it's only that Dropbox is the 800 pound gorilla at the moment.  I like Dropbox.  One of the many reasons I like Dropbox is that their EULA specifies that what is mine is mine and that I can have everything on their myriad servers encrypted.  I pay for the privilege of lots of reliable cloud storage.

Google Drive provides an initial 5GB of storage for free.  A decent offer to be sure but if you care about your intellectual property, don't just click through the "by clicking here you agree to the license agreement that is really long and hard to read and located at this other place..." because when you click ok, you grant Google irrevocable rights forever to anything you put on Google Drive.  That might be just fine with you, particularly if you buy into the argument that Google has a zillion customers and won't have the time to look at and redistribute your stuff.  If it's not fine with you and you still want to use Google Drive for something then DON'T put your photos or videos or screenplays or anything you want to remain private up there.

The latin phrase Caveat Emptor has existed for centuries for very good reason.  And as Robert Heinlein said very clearly over 50 years ago, TANSTAFFL.

(There ain't no such thing as a free lunch)

I definitely credit Google for making the service available and also for having an understandable if a bit lengthy EULA.  They are far from the worst offenders and consistently let you know up front their intent.  I have read an article that says they do this in their EULAs because people can email things from their account and since there is no way to know how many hops an attachment will take and where it will be stored en route, they have to do this.  That email and attachments are stored (and are retrievable at any time) in myriad waypoints is factually correct, but the EULA makes no explicit commentary on this point, and is much wider ranging.  Google has a business to run and are very clear that they could use anything you put on their services to foster that business.  You do have freedom of choice.  To say as the other writer did that the EULA exists to handle the risks created by unencrypted email is akin to using a 10 gauge shotgun to hunt sparrows.  It's a spurious argument.  Google is a business and provides services that someone has to pay for.  If you aren't paying for them, someone else is.

If you don't like this reality, don't participate.  That's your choice.

REVIEW : Hahnel Giga T Pro II Wireless Timer Remote

I've been getting a lot more engaged in night photography and I learned a method for getting better images from Scott Martin and Dr. Russell Brown at Photoshop World in March. The process is called Stacking and while you can do this with special software, Russell has released a Photoshop script called Stack-A-Matic that easily combines your images into a single image. The key to successful stacking is an intervalometer. For most night shots I had been using the Canon RS-80N3 remote cord. It's basically an electro-mechanical release allowing you to release the shutter without touching the camera and to hold the shutter open in Bulb mode by using of a sliding lock. It's simple and it works and sells for about $105 although ymmv.

I could use this release for stacking but it depends on me to be accurate in my exposure timing and in my sequence timing. What Scott and Russell advocate is a sequence of shots of fixed exposure duration separated by one second intervals in order to ensure that star trails are gapless. This isn't HDR, it's lots of short exposures that are stacked to get amazing levels of detail, very low noise and a cumulative very long exposure. Doing things this way means you can get star trails without blowing out the foreground or having your sky look like a pointillist painting because of all the digital noise.

I looked first at Canon's timer remote, the TC-80N3. It looks like the RS-80N3, except that it has a digital timer in it. Since these timers are pretty common these days, I was shocked when I saw that it sells for about $275. Really!? And you are still tied to your camera by a 2 1/2 foot cable.

That wasn't going to work as I also wanted to be able to do some light painting and that means getting away from the camera while the sequence is shooting. This led me to the Hahnel Giga T Pro II Wireless Timer Remote.

Long name for a very simple tool. The kit consists of a transmitter, a receiver and a couple of cables to connect to different Canon models. The transmitter can work just like the TC-80N3 via cable but the kit really shines when you carry the transmitter and set the receiver at the camera connected via cable to the remote port. The wireless is via radio, not infrared and there are multiple channels available to avoid interference.

You can trigger single sot, burst mode, delayed firing and hold the shutter open in bulb mode simply. In bulb mode, the transmitter even includes a timer so you aren't looking at a watch or counting seconds.

The kit really shines for interval sequences. After reading the documentation (which is easy to understand), I programmed 10 second exposures, 1 second apart with 30 repeats as a test. It took less than a minute to program, pressed the start button and walked away. Just over 330 seconds later, I had 30 images, all exposed as selected.

Then it's simple enough to use Dr. Brown's Stack-A-Matic to combine all the images together in Photoshop. You can get Stack-A-Matic here from The Russell Brown Show web property.

Summary

The Hahnel Giga T Pro II Wireless Timer Remote retails for about $130. I'd suggest it over the alternatives I did test and choose not to write about. The kit is available for Canon, Nikon, Olympus and Sony cameras.  Hahnel lists a Panasonic model but it looked to be a special order.

 

The Photo Video Guy Podcast - Episode 15

This episode we look at the new D3200 and 28/1.8 from Nikon, consider DxOMarks rating of the D800 sensor, touch on Luminous Landscape's comparison of the D800 and D800e, quick look the 5D Mk III, check out 645 Pro for iPhone, consider more rumours and share vendor updates

The Photo Video Guy Podcast - Episode 14

In this episode we cover news from Canon and Nikon, talk about a Leica sensor shortage, check out Lensbaby for mirrorless, empathize with Instagram fans, look at a cool Kickstarter project and have a short review on BlackRapid camera straps.

The Photo Video Guy Podcast - Episode 13

The Photo Video Guy Podcast is created for photographic and videographic enthusiasts featuring news, reviews, tips and tricks and is the audio companion to thephotovideoguy.ca and thephotovideoguy.com web sites. This Episode

Canon News Nikon News Fuji News Fuji X Pro 1 Review by Steve Huff Photo Changes to Flickr Tamron News Night Photography with Starwalk

Time Limited Offer : Act before April 9th!

The cool folks at MacPhun have a very cool offer running until April 9, 2012. Basically buy their iPhone app called FX Photo Studio on the iTunes store for 99 cents and you will receive a link to get the Macintosh app FX Photo Studio Pro which sells for $40 for FREE!

Here's the link from MacPhun...

Here is the deal. If you have FX Photo Studio for iPhone (currently $0,99), you get FX Photo Studio PRO for free (App Store price $40). Details can be found on our Facebook page, this Appadvice post or get in touch with questions.

MacPhun does a number of great Mac and iPhone apps.  I've talked about Snapheal on the podcast and have recommended Color Splash Studio in the past.  FX Photo Studio Pro makes the application of rich photo treatments easy as point and click but also provides a very high level of control.

With the current deal, it's a no-brainer - so spend the buck and get a lot more.

Thanks to Alex at MacPhun for the link and his support.

The Photo Video Guy Podcast - Episode 12

The Photo Video Guy Podcast is created for photographic and videographic enthusiasts featuring news, reviews, tips and tricks and is the audio companion to thephotovideoguy.ca and thephotovideoguy.com web sites. This episode we look at news from Nikon, Canon and Leica, review Photoshop World, talk about new software from Adobe and discuss firmware updates